Last Friday evening, I was in good company and I don’t just mean the company of other artists at The Box Gallery’s The New American Patriot: Climate Art in the Public Interest, though the work — mostly visual — was often powerful, and my contribution in keeping with the theme.
So Little Time: A Spoken Word Performance on Climate Crisis in Four Parts is a 15-minute compilation of poetry and prose drawn from several sources and includes one original work.
I had been thinking about doing such a piece for over a year, as my passion for climate and women’s issues began to overlap. Putting the show together was fulfilling in itself in that I drank deeply from a very large spring. I am grateful to the curators for accepting my proposal and to the friends who showed up to hear my performance, and hung in there despite significant acoustic challenges.
As I need hearing aids myself, I know intimately how frustrating it can be to miss what is being said. But those who struggled to hear me are only part of the good company in which I found myself during the performance. It later dawned on me that my voice – and I don’t mean to overstate this relatively minor event given the scale of the issue – was just one more that isn’t being heard because 1. There is too much other noise, 2. Listening well is an endangered skill, and 3. We have trained ourselves to turn a deaf ear to whatever messes with our worldview. And that is a huge part of the problem for which there is no other solution but to do what climate scientists, activists, shamans, actors, writers and poets have been doing: keep telling the inconvenient truth, in as many places as possible, in as many ways as possible with the intention that words will become deeds. Just keep on keeping on. And I plan to. If my readers have thoughts about venues and/or other outlets, including social media, I’m all ears!
I am immensely grateful to Green Writers Press for permission to use work from So Little Time: Words and Images for a World in Climate Crisis, compiled largely by poet/climate activist, Greg Delanty. I also chose, and was granted permission to use, a poem by Rachel Lewis, a 2014 winner of the Cape Farewell/ Young Poets Network Competition for poems exploring climate change. And I drew from The Guardian’s Keep it in the Ground collection, under fair use permission. My friend, Jean Cavanaugh, allowed me to quote from an uplifting Facebook post entitled Scarcity is a Myth. We all deserve a hearing.
I end for now with a poem from So Little Time.
Global Warming ~ Jane Hirshfield
When his ship first came to Australia,
Cook wrote, the natives
Continued fishing, without looking up.
Unable, it seems, to fear what was too large to be comprehended.
See internal links for my sources, including the excellent volume, So Little Time (available from http://greenwriterspress.com/books/our-first-books/so-little-time/, Amazon and other book outlets). The Guardian’s collection, curated by UK poet laureate, Carol Ann Duffy, is read by actors, James Franco and Jeremy Irons, among others.
Almost anything by Wendell Berry